I recently went to the
show at Rittenhouse Square in Philadelphia.
The Guild shows are consistently wonderful because members must meet and maintain a certain level of mastery in their particular area of craft.
I'm always interested in seeing what other jewelers are creating and was again reminded that most professionals have developed a particular line that can be recognized...
(some fabulous work was seen by Janine DeCresenzo and Heather Stief)
a definite advantage when promoting one's work.
I continue to believe that, when seen as a whole, the body of my work has a degree of cohesiveness,
but individual pieces might not be attributed to me.
This approach does create a marketing challenge,
but I have not been able to deny my interest in exploring new techniques...
like the texturing of these copper discs.
I had cut a few discs, wanting to experiment with texturing.
The plan had been to do some fold-forming,
so the discs were annealed.
As I prepared to get to work, my focus shifted to my dapping block
and ended up with a a texture that calls to mind a lotus seed pod or a lunar landscape.
Once I had a small collection of these lotus/lunar discs,
the brainstorming began.
I have what I think are promising ideas for earrings and bracelets that incorporate the new discs,
but chose to move forward with a necklace.
Three discs, of gradating size,
were soldered to a base of etched silver nickel
that I had cut with my jeweler's saw.
A bail was formed with pliers
and soldered on to the back
allowing for a clean connection to the woven cable.
Could this be the beginning of a specific line in my jewelry empire?
Possible....
but probably not.
You have created wonderful textures of this beautiful necklace, good to see you have so much perfection in your work. Good job and start selling them.
ReplyDelete