Getting Centered

I love tools.

There have been times when I've made flimsy justifications, 

giving myself permission to spend money on a new workbench tool.

I didn't even pretend to hesitate when I saw this nifty tool at a recent bead show.

This wonderful piece of plastic that cost around $8.50 is a center locator.

I can hold any size disc within the V-shaped guides and mark a centerline which is quite useful when I want to cut out inner discs and drill holes for earwires and/or dangles.

I used to operate just fine without my new, super tool,

and would locate my cutouts and drill holes by eye.

Sometimes 'by eye' failed, and I would end up a tad off-balance...

probably something that only I would notice but that would be enough to make me toss the tad off-balance piece into the scrap box.

No toss outs in the batch of discs that I'm working on right now!

A central guide line helped me position the etched brass pieces in my disc cutter.

I used the guide line again to mark the drill hole location with a center punch.

The circles were then set on a solderite board and heat treated with my propane torch.

The small discs that were cut out were added to my container of interesting metal bits,

ready for use in a future project.

Some doming, some sanding and some wire wrapping of amethyst and labradorite...

and new earrings are ready to be delivered later this week.

Still Setting Those Stones

Following the recent completion of my new jasper necklace, I decided I should continue my momentum and repurpose another of the Bead Fest acquired pendants.

I still felt the need to create a unique setting so that I could ditch the cheap, uninspired bail that came with each stone.

The pendant 2nd in from the left in the top row became the new candidate for pendant/necklace #2.

I took my time in planning out the setting because I decided I wanted to make the piece using only cold connections.

Thoughtful decisions had to be made so that each step would prepare for the next.

A template was made of the stone, and using my jeweler's saw, I cut the shape a smidge larger from a piece of 16 gauge nickel that I had etched with a cheesecloth pattern.

Like the previous necklace, I decided to use two formed bails to create a nice stability for this 2 1/2" wide pendant.

Strips of roll printed brass were cut and shaped with my large bail pliers.

Using a piece of 20 gauge brass, I cut out the shape of the stone with six extended tabs.

That piece of brass was riveted to the etched nickel base with four sterling rivets.

With the two layers secured, I was then able to situate the two brass bails, each fastened with two sterling rivets.

The tabs were then bent with flat nose pliers to secure the jasper stone in place.

A fine grit sanding block was used 

to make sure that the rivets were smooth,

and a bezel setting tool was used to tighten the grip of the tabs.

The new pendant hangs on a simple and graceful cable of stainless steel, 

finished with a sterling silver clasp.

Weekend Workshop

When I decided that 2016 was going to be my year,
part of the intended goal was to keep advancing my jewelry and painting skills.
This past weekend,
I was able to take part in a one day oil pastel workshop at Wayne Art Center with the talented
Nicole Michaud.

I left at the end of the day with three pieces...

and a better understanding of how to move in a new direction with my oil pastels. 

Labradorite Necklace

A few days ago, I had some success at the soldering bench.

(all right, some of it was a tad sloppy...the bee...whoops)

As is typical, I had no specific plans for the pieces I made.

Luckily, having no defined idea of where I'm going has never been a problem for me,

so I got to work with the bezel set labradorite.

I was already feeling good that I had the stone securely set since I had to make my own bezel wire due to the depth of the labradorite.

A strip of copper was cut, textured with some of my steel tools, annealed and recut to ensure consistent edges needed for the soldering to take.

Using my jeweler's saw, some of the base was cut away to highlight the shape of the stone.

Texturing was added with one of my old chisels,

connector holes were drilled

and all edges were filed and sanded.

Some of my recently etched copper was used for the base

so that the back of the pendant would have something of interest.

Recycled copper wire was used to make a variety of links

as well as the clasp.

All pieces were wire wrapped

with faceted tourmaline and smoky quartz.

This necklace and a small grouping of selected jewelry pieces will be on display at the 

Wallingford Community Arts Center

February 21 reception.

Those Stones Are Getting Set

As I prepared for my display of paintings at
Wallingford Community Arts Center,
I also kept busy at my workbench determined to get the pesky jasper stone set in my make-it-up-as-I-move-foward bezel.

Picking up from where I left off....

two additional sterling tabs were soldered onto the back of the etched base.

I had the great idea to solder two sterling, oval shaped links that I had previously made which would provide a way to link an eventual chain.

That's when my soldering problems began.

Compared to the other parts of my assemblage, the links were pretty fragile.

Meltage happend.

Melting a part of your piece is never good and can lead to sighing and sadness.

After a couple of failed attempts, I said, 

"Forget it."

Actually, I said something else, but I don't think it's wise to reveal that.

My attempts to remove the failed links left a bit of a ghost.

I decided to accept the ghost partly because it tells part of the story of how the piece was made,

but mostly because I didn't want to risk making the solder of the tabs flow again.

I still had a couple of segments from the sterling braclet that had been used for the tabs and decided to shape them into loops that could be riveted to the base.

Sterling rivets were made with 14 gauge wire.

With all the necessary metal in place, I could finally set the jasper.

The sterling tabs were cut back to reveal as much of the jasper as possible while still concealing the pre-drilled hole.

After a treatment with liver of sulfur, my new pendant is ready to become a necklace.

Other efforts to set stones continue.

Wanting a stash of material to use as a base for future bezels,

I etched pieces of 16 gauge nickel and copper.

The thickness will help me to avoid any warping as heat is applied during soldering.

Sections were cut...

filed and sanded.

Sterling bezels were soldered into place...

two beautiful labradorite cabochons 

and one yellow cabochon of unknown pedigree

were set in place,

also ready to become necklaces.

Making This My Year

I decided that 2016 is going to be my year.

Crafting a life in the world of the arts can be a tricky thing to navigate,

but one must take control, set goals and work to meet those goals.

The work to make this my year began last year.

Many calls were made, messages and images sent while I worked at my easel and my  jewelry workbench.

Before the New Year rang in, I had lined up 4 shows to exhibit my paintings.

Today is the opening of my first show for 2016.

Earlier this week, I was at 

Wallingford Community Arts Center

to hang a selection paintings.

 My display is on the walls of BeaDazzle,

 the Community Art Center's gift shop.

Some of the paintings are nestled along with pieces of my jewelry.

The Duke Gallery is featuring the inspired work of Dale Roberts.

A reception will be held on Sunday, February 21 from 2pm to 4pm.

Just Get Those Stones Set Already!

While  gathering supplies at last year's bead show, I was drawn to different selections of jasper.

A nice variety of jasper ended up in my purchases that day,

including some stones that were drilled, bailed and ready to be used as pendants.

Although I loved the stones
(and the very reasonable price of the stones),
I didn't especially love the thought of using them as the intended pendants that they were.

As I stood there imagining design options that would allow me to conceal the drilled hole, another jewelry designer, who also sells in local galleries, saw the stones that I was considering.

She shook her head, telling me, 

"Yeah...I bought some of those last year and didn't sell one piece."

I'm sure they were friendly words of caution, but I chose to see it as a challenge and said,

"Oh well...I think we all put our own mojo into whatever we make."

and picked out a few more stones.

I didn't have the benefit of seeing what my fellow jewelry designer acquaintance did with her stones to get insight as to why they didn't sell, 

but decided it was time to do something with mine.

I love how the veining and deposits of minerals can suggest an abstract painting, and find that each stone has its own unique balance.

This stone appeared best in a horizontal placement.

I knew that I had no bezel wire with the dimension necessary to cover the drilled hole, 

so another method of securing the stone was needed.

The stone's shape was traced onto a previously etched piece of 16 gauge silver nickel.

After cutting out the shape with my jeweler's saw, I began to solder tabs of sterling reclaimed from an old bangle that was in my bin of 'sterling bits to be refashioned'.

Those sterling tabs will fold over to secre the stone in place while conveniently making the drilled hole disappear from view.

This is still a work in progress as I consider where the remaining tabs will be situated and how an eventual chain will be attached.

In the meantime...
I actually completed a project with some other stones that were purchased at the same bead show.
 These druzies have been tempting me since they were purchased,
but I kept getting in my own way as I tried to imagine
'just the right project'.

The druzy shown on the far right...

became a lovely ring.

I love the combination of sterling with the pale turquoise of the druzy.

Sometimes,
'just the right project'
is the one that you just do.